The moral from The Very Proper Gander:
Anybody who you or your wife thinks is going to overthrow the government by violence must be driven out of the country.
...
Cullingworth nestles in Yorkshire's wonderful South Pennines where I once was the local councillor. These are my views - on politics, food, beer and the stupidity of those who want to tell me what to think or do. And a little on mushrooms.
Anybody who you or your wife thinks is going to overthrow the government by violence must be driven out of the country.
The advert, on the Royal Liverpool & Broadgreen University Hospital's website, invited applications for a trainee anaesthetist.
But it concluded by stating: "Usual rubbish about equal opportunities employer etc".
"The wording on this advert in no way reflects the Royal Liverpool and Broadgreen University Hospitals NHS Trust's position in relation to equal opportunities, to which it is fully committed.
"The trust is conscious of its duty to promote equality and is a Stonewall Diversity Champion employer.
"The trust will be conducting an investigation into this incident to ensure that this cannot happen again."
Well, what about digimodernism, one might ask? This is akin to some of the pairings in Ihab Hassan's famous list of binaries where the qualities of modernism were placed over against the characteristics of postmodernism. If within a thematic there are logically only two possibilities, and modernism is clearly over, and postmodernism clearly followed it, does this mean that the more recent moment will be with us forever, there being no other options?
I would reply that digimodernism does not choose to focus on either time or space in this manner, but that it combines and enmeshes two relatively new definitions of both. "Real time" and "cyberspace" are the twin axes of digimodernism. The digimodern appears at the intersection of the two. It's not so much a matter of choosing one term or the other, but first redefining then superimposing them.
Since its first appearance in the second half of the 1990s under the impetus of new technologies, digimodernism has decisively displaced postmodernism to establish itself as the twenty-first century’s new cultural paradigm. It owes its emergence and pre-eminence to the computerization of text, which yields a new form of textuality characterized in its purest instances by onwardness, haphazardness, evanescence, and anonymous, social and multiple authorship.
In its pure form the digimodernist text permits the reader or viewer to intervene textually, physically to make text, to add visible content or tangibly shape narrative development.
These in turn become the hallmarks of a group of texts in new and established modes which also manifest the digimodernist traits of infantilism, earnestness, endlessness and apparent reality.
There is no such thing as laughing at something you shouldn’t. You should laugh everywhere you can find even the slightest glimmer of humour. Life is a series of heartache, tragedy and injustice, punctuated by a few cocktails and that one trip to Reno. The more you can laugh at the ugliest parts, the better off you are.
Therefore the Central Committee, meeting in secret session, has declared that all blogs written by more than one author are no longer to be deemed blogs, and that given the previous Revanchism of the Jackal Harris, he is to be declared a neo-centrist enemy of the people.